|
| |
|
The

My Baby Likes to
Boogaloo! |

The Emperors: L-R - James Jackson, Donald
Brantley, Bobby Fulton, Edgar Moore*, and David Peterson.
Photo courtesy
of Dennis Brennan
Thanks to a reader in Pennsylvania for
informing me that the fourth man in the photo was Edgar Moore (not Billy Greene)
|
|

Click on the labels to hear a
song sample!
|
One hit wonder is one of the most
misused terms in music history. Often enough, while the designation may be
literally true (i.e. a single appearance on the pop charts), many of the
performers saddled with that title have stories that run much deeper. One
such band was Harrisburg, Pennsylvania's Emperors.
For a brief time in early 1967 they rode the R&B (#30) and pop charts
(#55) with their wild 45 'Karate'.
Formed in the early 60's by James Jackson, Donald Brantley, Bobby Fulton,
Edgar Moore and David Peterson, the Emperors were discovered by
Philadelphia producer Phil Gaber, who also produced the Agents fantastic
harmony track 'You Were Meant for Me'. Along with George Wilson (of Philly
soul radio giant WHAT) he took them into his Impact Sound studios on Castor
Ave. in Northeast Philly to record their first 45, 'Karate' b/w 'I've Got
to Have Her'. 'Karate' was one in a long line of karate-themed dance tunes
in 66 - 67, like Jerry-O's 'Karate Boogaloo', and Chubby Checker's 'Karate
Monkey'. Written by Bobby Fulton's cousin Milton Brown and Tirone Moss
(who would co-write all but one of the Emperor's original tunes), 'Karate'
was a rocking dance craze number featuring a wailing lead vocal, hard
drums and garage-y combo organ (played by Brown, and a major part of the
Emperors 'sound' on all of their 45s). The record would be released on
Mala, with the ballad 'I've Got to Have Her' on the flip. It first hit the
charts in December of 1966,staying there for almost two months.
The Emperor's next two 45's would also be recorded at Impact, produced by
Gaber and Wilson. By far, their finest moment was their cover of Don
Gardner's 'My Baby Likes to Boogaloo'. While Garner's version is a
ferocious soul-shout, the Emperors give the tune a slightly sinister edge
with a dark electric guitar riff, rolling combo organ and bongo drums.
Like fellow Pennsylvanian Chuck 'Downtown Soulville' Edwards, the Emperors
records had a sound like a soul singer fronting a garage punk band. The
flip side 'You Got Me Where You Want Me' is a pop-soul number with great
falsetto backing vocals.
The Emperor's last (and hardest to find) Mala 45 was 'Searchin' b/w
'Looking for My Baby'. The a-side is a cool cover of the Coaster's
tune. The flip, another Brown/Moss original is soulful dance number
taken at a fast pace.
The Emperors last 45 (with a catalog number that places it in the early
summer of 1967) had them moved to Brunswick (though as Wilson is still
producing it seems as if it was recorded in Philly). 'Karate Boogaloo'
(not the Jerry-O song) b/w 'Mumble Shing-A-Ling' both have a looser sound
than the Mala 45's. 'Karate Boogaloo' is marked by surreal, looped crowd
noise in the background, wild percussion and a falsetto chorus. 'Mumble
Shing-A-Ling' is a funky, mostly instrumental number.
Not too long after the Brunswick 45, Bobby Fulton left the Emperors to
co-found Soulville records. Aside from his own 45's for the label,
Soulville also released a number of fantastic 45's by Cha Cha Hogan,
Watson & The Sherlocks and the Soulville All-Stars among others.
The rest of the group would go on to release the funky 'Bring Out Yourself'
45 as Emperors Soul 69 on the Harrisburg Futura label.
Philly Music Archives has just released an album length compilation of the
Emperors recordings entitled 'Karate' (left). |
 |
 |
 |
|

|
|